It is the complicated and intricate nuances of human relationships that are at the centre of Amelie Von Wulffen’s series of water colours that this drawing, Untitled, 2013, Watercolour and Indian ink on paper 31 x 23.5cm is a part of. When I look at this set of surreal drawings, I am immediately reminded of Louis Bunuel’s film ‘The Discreet Charm of the Bourgeoisie’, upper middle class France could easily be the background to the action, but in this case fruit, vegetables and other assorted food stuffs replace human beings in the drama. In this drawing some fruit have fallen out, a lemon has lost its temper with an apple while a confused banana looks on embarrassed by the situation. Two quite full wine glasses, along with dinner plates, a table cloth, a landscape painting on the wall, a chair and the suggestion of expansive gardens through patio doors, pin point the socio-political context, however the polite order of things has been broken. The wine glasses, faceless in this work have themselves been anthropomorphised in another drawing in the series, being seen to have what appears to be a post coital cigarette. The atmosphere of different social situations, sometimes painful and hard to watch, sometimes sexual, sometimes very sexual, the anxiety of social faux pa’s, and the awkward silences after the cringing realisation that someone has spoken out of turn, are all palpable in the narratives. Amelie von Wulffen is a prolific and versatile artist, producing an array of different works in different media, this large series of watercolours could be exhibited with large scale oil paintings, sculptures, painted ready made’s, collages and animations. There is a general air of self-parody in much of the work, von Wullfen pokes fun at the very communities that she belongs to. An animation follows the day to day aspirations of a contemporary artist, still surreal, ‘At the cool table’ includes scenes where Francisco Goya appears from beyond the grave as the artists’ friend and guide. The joy in the making of these works is apparent, von Wulffen’s combination of graphic skill and comedic prowess is unmatched in contemporary art.